On Dec. 19, 2000, shuttle driver Ross Vitalie, the owner of Door to Door Airporter, Inc. in Humboldt County, picked up his fare—a slight figure in his early 50s with an odd, gruff manner of speaking and peculiar facial tics—at what was then known as the Arcata Airport, a small-town airfield with a couple of runways originally built by the U.S. Navy during World War II.
The dark-haired and affable Vitalie then headed roughly 15 miles south down Highway 101 to Harper Motors, a Ford dealership located just north of Eureka, where his passenger picked up some keys for his car stored in long-term parking at the airport. Vitalie drove him back. The round trip took little more than 30 minutes.
Vitalie’s passenger had been a regular customer over the past half-decade. “You could say he was a little bit strange,” says Vitalie, a muscular 6-footer who studied martial arts in college. “For his size, he could be very demanding.”
Airport records would later indicate that Vitalie’s passenger had often stored his car in long-term parking in the years prior. The records also indicated that he removed his car from the lot that afternoon. Vitalie dropped off his passenger—whom he called simply “Bob”—at the airport, and bid him adieu.
“He was a loner,” Vitalie recalls. “The only thing I remember was him asking what was going on around town whenever he returned. He’d want to know if anything was going on with the police department.”
Vitalie’s fare that day was none other than Robert Durst, the quirky and deadly scion of a Manhattan real estate dynasty. He had relocated to the seaside California town of Trinidad in late 1994 or early 1995, shortly after his father, Seymour Durst, passed him over, installing Robert’s younger brother Douglas as head of the family’s billion-dollar high-rise empire.
The controversial, albeit intoxicating, documentary series The Jinx: The Life and Deaths of Robert Durst, which aired on HBO this past winter, made it seem as though Robert Durst never wanted to serve as head of the family business, but that’s one of many false narratives established by Durst after the fact, as a way of putting off anyone on his trail.
Those close to him knew better. They say that Robert was livid about being bypassed for his younger sibling, angry and bitter, and that he had blown up in the plush Manhattan offices of the Durst Organization when he had been told the news.
Durst had come to the Emerald Triangle in Northern California—a place where pot was plentiful and accessible, and where he could go essentially unrecognized—to get away from his father and brother, to break away from the long arm of his family’s influence. Maybe he had darker visions as well.
A decade earlier, Durst had been the prime suspect following the disappearance of his young and beautiful wife, Kathie McCormack Durst, who went missing in the winter of 1982, when the Dursts’ marriage had deteriorated into coke-and-drinking binges, a series of sexual affairs and violent outbursts. Durst had spun a false narrative about his wife’s disappearance—and, many believe, got away with murder.
Those close to Durst—family, friends, you name them—have described him as an inveterate liar, “incapable of telling the truth,” in the words of his brother Douglas. Although he would claim otherwise in The Jinx, he was also extremely skilled in his duplicity. More than once, law enforcement officials took the bait. They swallowed it hook, line and sinker in New York. And they may have swallowed it in California, too.
According to records in the Humboldt County Recorder’s Office, Durst purchased a three-story ocean-view home in Trinidad from Diane Bueche in June of 1995.
“It was very rural,” Durst would tell The Jinx director Andrew Jarecki about Trinidad in an interview for the film. “Very pretty.”
Located on the corner of Van Wycke and Gallindo streets in the picturesque seaside village, Durst’s residence—with wall-to-wall decking and full-length picture windows on each level—afforded sweeping views of the gorgeous Trinidad waterfront, arguably one of the most beautiful stretches of coastline in Northern California.
Bueche lived directly next door on Van Wycke, in a sprawling two-story shingled home with equally breathtaking views. The outgoing, well-off Bueche was “a bon vivant” to her friends (many called her “Bo”) who owned and managed several properties in Humboldt and Trinity counties. She quickly became Durst’s friend, confidante and social guide to the North Coast. They went out to dinner, movies and special cultural events.
“Bobby” Durst, as he was most frequently known, generally kept to himself among strangers, but he had a surprising charm around women. They seemed to hover over him, guarding him, maybe even wanting to “mother” him, according to one friend. That he was receptive to such affection shouldn’t have been surprising, since his own mother had committed suicide when he was 7—though not, as he would often claim, directly in front of him. Durst liked to stretch the truth on that story, too.
His first wife, Kathie, was a beautiful bright 19-year-old when he met her. By the time she disappeared, it is widely known that Durst had taken up with Prudence Farrow, the younger sister of actress Mia Farrow and the subject of the Beatles’ White Album song “Dear Prudence,” written by John Lennon. Some suspected that Bueche and Durst were an item in Trinidad, but no one seems to have known for sure. One police report, drafted in 2003, asserts that Durst had sex only with prostitutes after the disappearance of Kathie in 1982. More than likely, the Bueche-Durst relationship was platonic.
Those who knew Durst in Trinidad mostly refused to talk about him on the record, but privately they tell of an odd little man (“a weird, weird dude,” said one; “a very strange guy” and “spooky,” said another) who threw his money around with a small coterie of acquaintances, and who talked big—but whose stories never quite added up.
Durst had told Bueche and others that he had a daughter (he did not), and that he was planning to develop property in an isolated region north of Trinidad known as Big Lagoon, only to run afoul of the California Coastal Commission. There’s no record of that. For a while he kept an office in Eureka’s “Old Town,” on E. Street, though what he actually did there is anyone’s guess. At one point, he claimed to be a botanist for the Pacific Lumber Company. At other times, he claimed to be an insurance investigator or a rare metals expert. None of it was true.
Durst was essentially computer illiterate when he arrived in Humboldt, and incapable of typing, as well. He put up an advertisement for a computer tech at Humboldt State University’s career center (in Arcata) and eventually hired an HSU student, Michael Glass, who worked for Durst at his home in Trinidad for several years. Like most who encountered Durst in Humboldt County, Glass described him as being an “odd duck” and “eccentric.”
One memory for Glass stands out: he recalls that Durst was thoroughly infatuated with Pixar’s computer-animated blockbuster Toy Story, which was released in 1995, right around the time Durst arrived in Humboldt. Durst wanted all the imagery on his computer—the screen saver, etc.—related to Toy Story. Durst, Glass recalls, powerfully identified with the film.
The same day— Dec. 19, 2000—that Durst rode with Ross Vitalie to and from the Arcata Airport, his longtime friend and intimate, Susan Berman, a struggling writer in Los Angeles, had a conversation with one of her closest friends, the actress Kim Lankford.
Lankford, who had starred in the primetime soap opera Knots Landing back in the late 1970s, would later recall that Berman was especially hyper that day, claiming in an interview with New York magazine writer Lisa DePaulo that Berman was about to break a big story “that was going to blow the top off things.”
Berman was always on the verge of something, always a handful. She was the daughter of a Las Vegas mobster Dave Berman—also known as “Davie the Jew”—a close associate of the legendary Vegas mafioso Bugsy Siegel, who had been assassinated by rival gangsters in 1947. Lankford presumed that her friend’s big revelation had something to do with mob history, maybe about who had killed Siegel.
Berman had met Durst at UCLA in the late 1960s and had reportedly bonded over issues of losing a beloved parent from violence in their childhoods. She had migrated to the Bay Area after college, where she became a well-known writer at the San Francisco Examiner after penning a Sunday magazine piece entitled “Why I Can’t Get Laid in San Francisco.”
By the new millennium, Berman, who had relocated to Los Angeles, was begging her friends for money, in debt to everyone. And with Berman, it was always a crisis, always high theater, always about her. She was the prototypical drama queen.
Through it all, however, Durst and Berman remained loyal to each other. When Durst’s wife Kathie went missing in 1982, Berman had served as Durst’s spokesman, and, as many now believe, may have helped to mislead investigators by placing a call to the medical school at which Kathie was a student, claiming to be Kathie and saying that she would be absent from school the day after she went missing.
While they were no longer as close as they once were, sometime in the fall of 2000, after investigators in New York had kick-started a new investigation into Kathie’s disappearance, Robert Durst had sent Berman, now living in a run-down bungalow in Beverly Hills, two checks for $25,000 each—a $50,000 gift, he made clear, not a loan—which, later on, some people figured may have been hush money for whatever role Berman played in Kathie’s fate.
On Christmas Eve, five days after Durst had flown into Humboldt County, Los Angeles police made a startling discovery. Berman was found face down in a pool of blood on her bedroom floor, executed by a single shot from a 9-millimeter pistol to the back of her head. Since there had been no forced entry into Berman’s home, investigators immediately speculated that whoever killed the mobster’s daughter was a person she knew.
That same day, the Beverly Hills Police Department received an anonymous note indicating that there was a “cadaver” at Berman’s address on Benedict Canyon Drive. The note may have been anonymous, but the author left a telltale sign, spelling “Beverley Hills” incorrectly, with an extra “e.”
Nearly 15 years after the grisly discovery at Berman’s home (and only hours before the climax of The Jinx on HBO), the County of Los Angeles filed a felony complaint asserting that: “On or between Dec. 22, 2000, and Dec. 23, 2000, in the County of Los Angeles, the crime of MURDER … was committed by ROBERT DURST, who did unlawfully, and with malice aforethought, murdered SUSAN BERMAN, a human being.”
The saga of Robert Durst and the many deaths that surround him have become, in recent months, part of the national cultural fabric. Durst has emerged—there is really no other way to put it—as a celebrity killer and international sensation. That he was found not guilty of the 2001 killing of Morris Black on the grounds of self-defense (never mind that he dismembered the corpse and tossed it into Galveston Bay) has only added to Durst’s creepy celebrity status and media mystique.
Today, the ailing 72-year-old Durst, currently incarcerated in the St. Charles Parish Jail in New Orleans, is facing federal gun charges—and after that process plays itself out this fall, he’ll be facing extradition proceedings to bring him back to Los Angeles on murder charges.
Many of the people I’ve spoken to in the past several months don’t think that Durst will ever see the light of day again—but they thought the same thing when he was arrested for the murder of Morris Black in 2001.
Shortly after the arrest of Durst in New Orleans, I was looking through a newspaper search engine when I made a surprising discovery in the Ukiah Daily Journal from May 11, 1995, that Durst had been arrested in Mendocino County for driving under the influence and possession of marijuana. Somehow this arrest had escaped the notice of journalists and law enforcement officials alike.
The Mendocino arrest was classic Durst. Pulled over in the tourist haven of Mendocino Village after drinking a bottle of wine at the upscale Café Beaujolais, Durst was found with marijuana and $3,700 in cash in his trunk—and he failed a series of field sobriety tests. Then, with phrasing familiar to anyone who watched The Jinx, Durst uttered to a cop that “the money and marijuana is mine and I have always smoked it, even as a kid … So what’s the big deal?”
In fact, after he left the Durst Organization in 1994, Durst took on an even more bizarre lifestyle than the one he maintained in New York. Durst had residences all over the country: in New York, Florida, Texas, Louisiana, and California, and several cities therein. Investigators in at least three states noted that he liked frequenting the tenderloin and skid row neighborhoods in various cities, often hanging out with the homeless and down and out. In some instances, he pretended to be a person of need himself.
He had also taken to cross-dressing, and in a celebrated profile of Durst in GQ magazine, investigative reporter Robert Draper claimed Durst had taken to the streets as a transvestite, plying young men for tricks. He hung out in tranny bars, always on the make. How far he went with this particular fetish is uncertain (some investigators question the veracity of Draper’s account), but he was seen dressed as a woman in at least three different locations during the 1990s and early 2000s.
In Northern California, Durst owned his home in Trinidad, owned two upscale townhouses in San Francisco, and had several other addresses stretching from the northern region of Humboldt County as far south, according to one report, as Palo Alto.
“[Durst] never stayed in one place for more than a few days,” says Cody Cazalas, the lanky mustachioed investigator from Galveston, Texas, who provided The Jinx with its soul, if not its conscience. “He’d fly from Texas to California to Louisiana then back to Florida then Texas again,” Cazalas tells me. “He was extremely mobile. And very secretive about his movements. Two or three days was about it in any one place. He was all over the charts.”
Little more than two years after Durst was arrested in Mendocino and had settled into his ocean-view digs in Trinidad, a 16-year-old high school student from Eureka—Karen Marie Mitchell—was declared missing after visiting her aunt’s shoe store at the Bayshore Mall on the south side of town. The Mitchell case both captivated and galvanized the community. Over the next several years, numerous leads were exhausted, and several suspects were identified, though, ultimately, nothing came to fruition.
Although it’s not clear when Durst appeared on the radar of Eureka investigators, according to newspaper records Mitchell’s aunt, Annie Casper (with whom she was residing at the time of her disappearance), first publicly identified Durst by name as a suspect in the Mitchell case in December of 2001, not 2003, as has often been claimed in the media. “[Durst’s] been in our store twice, which I thought was kind of odd,” Casper was quoted as saying. “Anytime somebody does something [like Durst, in reference to the killing of Morris Black], that’s lived in this area for some amount of time, I check it out.” On at least one occasion when Durst was in the store, he was dressed as a woman.
It’s never been clear how seriously Humboldt County investigators took Durst as a suspect in the Mitchell disappearance. For a while, at least, they had their eyes on someone else: a Humboldt County trucker named Wayne Adam Ford, who eventually confessed to killing four women (but adamantly denied killing Mitchell) —and federal investigators had flight records appearing to indicate that Durst wasn’t in Eureka on the day of the abduction.
Shortly before Mitchell went missing in 1997, there was another disappearance of a young woman in Northern California, Kristen Modaferri, an 18-year-old student from North Carolina visiting the Bay Area for the summer. Since Modaferri was living in the East Bay at the time (she was taking a summer course in photography at UC Berkeley), her disappearance was investigated by the Oakland Police Department. One of the suspects in the Modaferri case fit a profile similar to Durst, particularly in respect to cross-dressing and prowling around homeless shelters. The Oakland investigators felt there might be a connection.
Although Bay Area investigators didn’t have sufficient evidence to pursue Durst in respect to Modaferri’s disappearance, they felt that there was reason to do so in respect to the disappearance of Karen Mitchell. According to Matt Birkbeck’s best-selling book, “A Deadly Secret: The Bizarre and Chilling Story of Robert Durst,” East Bay investigators believed that Durst had flown into the Arcata Airport on Nov. 25, 1997, the day of Mitchell’s disappearance. They had subpoenaed credit card and Federal Express records indicating Durst’s presence in Humboldt County that day.
One of the investigators, John Bradley, interviewed a woman then incarcerated in a San Francisco jail, Sheli C., who had lived in Humboldt County during the same five-year period that Durst was living there. A drug addict and a prostitute, Sheli had been arrested on narcotics charges. Bradley had a hunch that she might know something about the Mitchell disappearance. She didn’t.
But when Bradley showed Sheli a picture of Durst, she recognized him immediately from Eureka, where, she said, Durst had frequented a homeless shelter only a couple of blocks from the office he kept in Old Town. Karen Mitchell, Bradley would later learn, had volunteered at the same homeless shelter.
According to Sheli, Durst had tried to pay her for sex, but he always low-balled her, so, she claimed, it never happened. But when shown a second picture of Durst, she said, curiously, “that’s what he looks like in the morning.” She said that Durst’s “pattern” was to hang around the homeless shelter for a while, disappear for a couple of months, “then he would return to loitering around the homeless shelter.”
There had also been a composite sketch drawn of someone who may have been driving a car that Mitchell got into the day of her disappearance. A witness had stepped forward months afterward, and the sketch looked remarkably like Durst—down to his oversized wire-rimmed glasses—so much so that Bradley believed the informant had to have known Durst.
Bradley and his partner down in Oakland wanted to push the case against Durst harder. The last thing Sheli C. said to Bradley was that “weird people get tired of doing normal stuff.” The line struck a chord with Bradley. Then Sheli went on the lam, and so did the informant. Bradley and his partner never had a chance for any follow-up interviews. Their frustration mounted.
One of the things that can happen when criminal cases fall under separate jurisdictions is that investigators get territorial, toes get stepped on, egos bruised. Outsiders often get marginalized by local cops who take personal possession of a case.
“You hear about it from time to time,” Cazalas tells me in his distinctive South Texas drawl. “And it baffles the shit out of me, to be honest with you. It’s just a cryin’ shame … If it happened anywhere involving [Durst], like I said, that’s a cryin’ shame.”
The timing of Durst’s drive from Humboldt County down to Los Angeles in 2000 comes as no surprise to investigators who have followed the Durst case closely. On Halloween of 2000, Durst received a tip—reportedly from his sister, which the Durst Corporation denies—that law enforcement officials in New York had re-opened the case of Kathie Durst’s disappearance.
The heat was back on. In early November, Durst bought an engagement ring for one of his girlfriends, Deborah Lee Charatan, an accomplished, high-powered Manhattan real estate agent. Then, on Nov. 15, according to Birkbeck, Durst called a small-apartment owner in Galveston, on behalf of a “deaf-mute woman,” Dorothy Ciner (one of Durst’s many aliases). What this means is that Durst had set up shop in Galveston even before he had cleared out of Northern California.
Durst’s erratic behavior during this time was also duly noted in Trinidad, where his confidante Diane Bueche began to feel uneasy. At first she defended Durst when television crews came to Trinidad during the spring of 2001 for the ABC shows Vanished and Prime Time, feeling that Durst was “the victim of a ruthless press.” Ironically, Durst had suggested that she watch Unsolved Mysteries, which featured a segment on his wife—perhaps, Bueche later speculated, to deter concern on her part should she have come across it on her own.
By the fall of 2001, however, when Durst went on the lam following his killing of Morris Black, Bueche became more than a little concerned. Bueche eventually contacted Judy Hodgson, publisher of the North Coast Journal, to tell her the Durst story. Hodgson says that Bueche “did not look well” at the time, telling Hodgson that she was “ill, and dying of cancer.” Bueche, recalls Hogson, “felt a little duped or stupid for originally taking Durst’s side.”
A few months later, a psychic by the name of Barbara Stamps told the New York Post that she began “picking up on dark energy” at Durst’s former Trinidad home and “had very strong feelings that a murder had been committed there,” directly next door to Bueche’s residence. Stamps said that she had “mental images” of the home as early as May 16, 2000—long before the killings of Berman and Black.
Once again, those in Trinidad became anxious. Many worried that they had recently had a murderer in their midst. Only months after the psychic identified Durst’s home, Diane Bueche was found dead in the master bedroom next door. At first, I was told that Bueche had died of cancer. Later, I discovered that she had committed suicide, shot through her head with a Smith & Wesson .357 revolver. The bullet had exited through the back of her skull, penetrating the mattress.
Durst was in custody in Galveston at the time, but there are those in Trinidad and elsewhere who still have questions about Bueche’s death.
On a cold and windy day in Eureka this spring, I sat in a Starbucks with Andy Mills, the city’s recently appointed police chief, who in the aftermath of Durst’s arrest in March has quietly but surely reopened the Karen Mitchell case.
Mills, who arrived in Eureka highly touted from San Diego, was candid and forthcoming in his conversation with me. He described the Mitchell investigation as “reinvigorated and active,” and says that while he was unable to identify any new evidence involving Durst, that Durst is very much in play as a suspect.
Since then, I’ve discovered that the FBI has presently assembled an unofficial national task force specifically looking at a multitude of unsolved murders and disappearances wherever Durst has lived, stretching back more than 40 years. Indeed, there’s a case involving a young girl who vanished after frequenting Durst’s health food store in Vermont in 1971.
During my trip through Northern California last month, following Durst’s ghost behind the Redwood Curtain, I re-read portions of Bret Easton Ellis’ “American Psycho,” the controversial novel about Manhattan investment banker Patrick Bateman, whose decadent lifestyle descends into a series of grotesque murders. Several passages seemed surprisingly, if not shockingly, reminiscent of Durst, this one in particular:
Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent … All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed … My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others.
The passages were unnerving. They haunted me as I reflected on this story on the long drive along the Mendocino and Humboldt coastlines, then back home along the Highway 101 corridor, through the wine country of Mendocino and Sonoma counties and into the Bay Area. Somewhere I had read that Durst had rented the movie American Psycho when he was dating a woman from Dallas in 2000. Durst, she said, “was all excited about American Psycho.” The woman said he had a room in his luxury Dallas apartment with concrete flooring and an electric saw. He told her he was dealing in “chemicals.”
Several law enforcement officials have told me they now think Durst may be a serial killer, over a span that stretches more than 40 years. In the cases of his wife Kathie, his friend Susan Berman, and then Morris Black, he may have well had overt motives for killing them. But what about the various dotted lines that link those three known targets?
During the Morris Black investigation, Cazalas thought that the murderer “had done this before.” Durst’s brother Douglas, who in a recent New York Times interview said that “there’s no doubt in my mind that if he had the opportunity to kill me, he would,” also believes that his brother killed a series of seven dogs, all named Igor. The judge from Durst’s murder trial in Galveston believes that Durst left the severed head of a cat on her doorstep.
I discussed the matter of what seems to be two distinct patterns of killing with a Northern California psychiatrist who specializes in criminal psychology. He said that, yes, the killings beyond the three we know of could be consistent with the pathology of a single serial killer. He also added an interesting caveat: That Durst choosing to be filmed on The Jinx could also be viewed as emanating from the same behavioral reservoir—that of calling attention to himself and humiliating his family.
As I went through my thick file of interview notes, reports and various articles that I had accumulated for this story, I came across a chilling note by investigator John Bradley out of the San Francisco Bay Area, written in October of 2004. “I reasonably believe Durst was a serial killer,” he wrote. “Others believe Durst only kills people he knows and with whom he has become enraged. I counter that his comfort level with killing is so secure, he kills strangers for practice then people directly connected to him and just does not worry about discovery.”
It seems that Robert Durst is always trying to get caught—he said so himself in The Jinx. When he was asked about the letter addressed to the “Beverley Hills” Police Department on the day of Susan Berman’s murder, he acknowledged that the killer was “taking a big risk. You’re sending a letter to police that only the killer could have written.”
Authorities in Los Angeles believe that Durst wrote the now-infamous letter.
Moreover, Durst left mail with his address on it, along with parts of Morris Black’s body, in garbage bags in Galveston Bay; he told lies to New York City detectives about his wife’s disappearance that were easily discovered; he stole some Band-Aids and a hoagie at a market in Pennsylvania when he had $500 in cash in his pocket. Most recently, he urinated on some candy bars in a Houston convenience store while security cameras recorded his activities.
Durst always has a counter-narrative to explain away his actions. It’s a cat-and-mouse game he seems to enjoy playing. How else does one explain his participating in a film project that ultimately resulted in his arrest?
Through his high-priced defense attorney Dick DeGuerin, Durst has, of course, denied his involvement in all of these murders. But while much attention has been paid to Durst’s shocking confessional at the end of The Jinx—“There it is. You’re caught. You’re right, of course … What the hell did I do? Killed them all, of course.”—there was an even more telling revelation earlier in the series, when he declared: “There’s a lot of people out there who think I killed my wife, that I killed Susan Berman, that I intentionally murdered Morris Black, and it’s quite possible that he’s killed a whole slew of other people.” (Emphasis mine).
Note the change from the first to third person in the middle of the sentence. Nobody had brought up “other people.” In the parlance of poker players, it’s a tell.
I asked Cazalas—who believes with certainty that Durst killed his wife and Susan Berman, along with Morris Black—if it would surprise him if Durst had killed more people. “No,” he says, with a long drawn-out pause. “No, no, it wouldn’t.”
Maybe Robert Durst is trying to tell us something. Perhaps there are a whole slew of other people. Maybe, just maybe, he did kill them all.
By Geoffrey Dunn (GT Weekly)